The mix of films in the 10th edition of BAMcinemaFest offers isn’t totally unexpected: a significant plurality of Sundance premieres (tightly curated, or maybe more accurately culled), titles from SXSW and True/False, two North American and three world premieres. The programming, though, is tighter and more original than a simple survey of The Year To Date In Festival Premieres. (I have already written elsewhere about the following titles: América, Bisbee ’17 [which has been cut down substantially since its premiere], Clara’s Ghost, Crime + Punishment, Eighth Grade, Madeline’s Madeline, Shirkers, Skate Kitchen, The Task. Please please please do not miss that last one. I’ll wait to write about Support the […]
The mix of films in the 10th edition of BAMcinemaFest offers isn’t totally unexpected: a significant plurality of Sundance premieres (tightly curated, or maybe more accurately culled), titles from SXSW and True/False, two North American and three world premieres. The programming, though, is tighter and more original than a simple survey of The Year To Date In Festival Premieres. (I have already written elsewhere about the following titles: América, Bisbee ’17 [which has been cut down substantially since its premiere], Clara’s Ghost, Crime + Punishment, Eighth Grade, Madeline’s Madeline, Shirkers, Skate Kitchen, The Task. Please please please do not miss that last one. I’ll wait to write about Support the […]
